And the action within is basically about the singer wishing for time alone with вЂњmy man.вЂќ She doesnвЂ™t need a doctor, she doesnвЂ™t need pills. FeelgoodвЂќ was the B-side of her smash hit вЂњRespect.вЂќ The title gives the game away. The melancholy truth had been at least partially exposed in a 1968 Time cover story, which described White вЂњroughing her upвЂќ in public at an Atlanta hotel and FranklinвЂ™s depressive tendencies: вЂњShe sleeps til afternoon, then mopes in front of the television set, chain-smoking Kools and snacking compulsively.вЂќ The marriage was yet another miserable aspect of her personal life that Franklin would attempt to keep under wraps, long after it was over, in her effort to project an вЂњupbeat, straight aheadвЂќ persona. Watching her now, Questlove still finds it astonishing. But as she sat at the Steinway midway through her 10-song set, it was clear that this young woman, not yet 30, was not merely the singer but the de facto bandleader. Though she often hired local musicians on the cheap while touring Europe, this time she had brought her regular band, saxophone great King Curtis and the Kingpins. Now, though, in June 1971, she was there onstage, in a flowing gown and dangling earrings - relaxed but in control of her music and her audience. вЂњIt was hell trying to arrange the date.вЂќ She had canceled repeatedly, made extravagant demands - a bigger dressing room, an extra suite - and he had tried to woo her with flowers and candy, he later told Franklin biographer David Ritz. It had taken Nobs years to get Aretha to play there. вЂњHe told me, вЂThis is the reason I dedicate my life to Montreux Jazz,вЂ™вЂЉвЂќ Questlove recalls. The bandвЂ™s frontman Questlove to his house to watch a film of Aretha Franklin performing at the festival in 1971. In 1994, the first time the Roots played the Montreux Jazz Fest, Feelgood (Love Is a Serious Business)вЂ™ ThereвЂ™s magic in making вЂsitвЂ™ a four-syllable word

Moral of story of my life song